This book celebrates one of the most famous and influental fashion schools in the world, Central Saint Martins. It contains student works, sketches and short interviews with the most famous students from the 1960s to the 2010s like Katherine Hamnett, John Galliano, Alexander Mqueen, Stella McCartney, Phoebe Philo and others.
I argued with myself in the bookstore before buying this. My recent idea to sew up all 14 of the Showstudio Design Downloads was one of the best arguments for it. Many of the designers represented started their journeys at Central Saint Martins and the book gives a small, creative overview of their origin in the design world. The layout is messy, collage-like and resembles a students portfolio, love that type of look. Glad I got the book in the end, find it really inspiring.
My favorite quote so far comes from fashion designer Giles Deacon on what piece of advice he’ll give to aspiring or current fashion students.
The British designer Gareth Pughs designs are as much artwork as clothes. He is mostly known for his use of inflatable parts to create volume and use of odd materials like electrical charged plastic, latex, pvc, foam footballs, balloons, synthetic and human hair. This design was first featured in his 2003 Central Saint Martin graduate collection.
Pattern info: Photocopy, has marked seam allowance and comes with instruction + fabric recommendation.
Fabric: Scrap pieces of polyester satins.
Notions: Zipper, thread and a large 50 cm balloon.
This is a really simple and fun pattern to make and can be varied endlessly. As a garment it is hard to wear but make a few and try it out, it could work. As an accessory I can come up with loads of possibilities such as children’s parties and for masquerade costumes. As decoration it can be great for weddings or summer parties, just make loads of them.
I live in Northern Sweden so, ”We only sell those during Halloween,” the girl in the shop said when I asked for a large balloon. She asked what I was going to use it for, (probably where looking suspicious) so I had to explain that it was going to serve as filling for a fabric balloon. It must have sounded confusing. Thankfully, there were a few left and I could go on with the project.
Pros: Easy, super fun, decorative project. Never thought I would like this so much.
Cons: No, unless you only make very practical and usable stuff. In that case I would see this project as educational.
The Belgian designer Martin Margiela has over the years kept a very low personal profile. He started his own brand in 1988 and is one of the most known and influential avantgarde designers. He is known for deconstruction and redesigning of already existing objects into garments and working with proportions. This pattern is an example of his playing with size and removing everything from a construction like hemming and lining.
Pattern info: Photocopy with markings and no instruction. Forgot to take measurements, sorry!
Fabric used: Scrap pieces of wall mending paper. A thick, felt like wall paper used to cover structured or damaged walls to avoid the plastering. It’s a great material for test sewing things like bags and toys.
It’s an easy pattern to assembly and sew. The wall mending paper was stiff to work with an I repeatedly knocked down flowerpots from the window behind my machine.
From the beginning I had a suspicion that it would be one of the designers oversized designs. As the name suggests, I probably could wear it over anything/everything in my wardrobe. If actually worn it has to have a closing at the neck, it’s tight to get a head through as it is. It probably looks great in thin materials that you can fold or pull together in various ways or as a plus sized dress. In the last case it has to be measured first and probably altered.
Pros: It’s simple to make and can be varied in material and styling. Fits most.
I’ve spent the last week tidying up my workspace and reorganizing materials and books. I’m starting a new project and it makes me feel overwhelmed and without direction so to get past this phase I’m trying to make my studio reasonable tidy. Since cleaning up makes boring posts I’ll show some pictures from two weeks ago when my mum and I went on a roadtrip through Värmland. The purpose was to see where some of our ancestors came from but since it was mom and I traveling we couldn’t resist doing a few cultural touchdowns along the way.
This is the exhibition ”Textila Spår” at Sillegården, Västra Ämtervik where we stayed. A really beautiful collection of Scandinavian textile design.
I came home with some flour, Finnskogsmjöl från Röjdåfors Kvarn and a really large exhibition catalog of Lars Lerins art. No yarn, no fabric. Next week there probably will be paintings done.