This project has taken its time. The goal was to make a classic waxed cotton motorcycle jacket like the ones Belstaff and Barbour makes. These jackets has been around since the 30s and style-wise one of my favorites. Just think of Steve McQueen, fun little article about his racing career here. Love the rustic look of an aged, anonymous jacket like this with the typical asymmetrical left chest pocket, drunk pocket I think its called.
I ordered Chocolate brown oilskin from Merchant & Mills in march. The rest of the things took a month to get. I wanted all metals to bee antique brass and the lining to be checked cotton flannel so it took some research to get everything right.
During the toiling I learned a lesson when it comes to shape. I already know that sewing patters isn’t standardized in body proportions. For me most indie patterns are on the short side, the waistline hits the lower point of my ribs and the hemline on a mid length skirt is above my knees. It never struck me that some companies fit are so far from my body shape that it’s almost impossible to make it work, my first pattern choice didn’t work so after some searching I found the Burda Style 10/2013 jacket. Already had the fabric, so no going back.
This jacket is a bit different from the originals. Its base is an ordinary mens style blazer cut with no side seam and looks a bit more formal. I liked that look and wasn’t so interested in adding some of the details but otherwise I basically followed the instructions. I made bellow pockets and skewed the left pocket to make it look more like the vintage motorcycle jacket. Instructions for making bellow pockets is found at Müller & Sohn
I had to skip the front buttons from the original too, could have hammered them in anyway but then I cant change zipper if it breaks. As I plan to wear this jacket for a long time that could happen. Also added belt loops on the sides but it didn’t look great belted so I removed that one.
Loved working in oilskin, the fabric is fabouous! I have a soft spot for working with leathers and plastic materials but there is always the risk to screw up and end up with visible lines of holes in the fabric if you have to rip a seam. With oilskin there isnt that problem, the holes are visible after ripping but nothing a new coat of wax cant fix. It feels sturdy but also flexible and stichings look gorgeous. I have a few meters in other colors so there will be more things to come.
Cant help thinking of the Rick Owens quote ”Every jacket I make has interior pockets big enough to store a book and a sandwich and a passport.” I’m having that plus four more on this one.
Say Hello to Tant Monokroms first ever sewing resource, a drafting instruction with printable (primitive) hand drawn pieces for classic Karate Gi trousers.
In my early twenties I copied the trousers from my Karate Gi for the first time. I wanted something fun to wear for yoga and had seen a similar pattern in a book. I made loads of these pants the years to come for myself, friends and family. Making them over and over made me realized that the pattern could easily be sized up or down just by adjusting length and circumference of the leg tube. Nowadays I have my geometrical crotch pieces in cardboard ready and can draft these from memory at any time.
The Karate Gi is the sturdy uniform worn when practicing Karate and other martial arts. The original is made in tightly woven cotton canvas with reinforced seams to hold for intense training. The fabrics thickness and the loose fit makes it stand out from the body and prevents it from clinging and restricting the movements when sweating heavily. The origin of the uniform is fishermens working clothes from Japan, first used by Judo practitioners and later adopted by Karate. Must say that I never made a pair for wearing in the Dojo. For martial arts practice a real suit is long lasting, reliable and worth the investment.
With that said I hope you try this pattern with its unusual construction, perfect for movability training and can also be shortened to make cool fighter shorts. The pattern fits sewist of all skill levels and can be sewn as a minimal fabric waist garment.
This book celebrates one of the most famous and influental fashion schools in the world, Central Saint Martins. It contains student works, sketches and short interviews with the most famous students from the 1960s to the 2010s like Katherine Hamnett, John Galliano, Alexander Mqueen, Stella McCartney, Phoebe Philo and others.
I argued with myself in the bookstore before buying this. My recent idea to sew up all 14 of the Showstudio Design Downloads was one of the best arguments for it. Many of the designers represented started their journeys at Central Saint Martins and the book gives a small, creative overview of their origin in the design world. The layout is messy, collage-like and resembles a students portfolio, love that type of look. Glad I got the book in the end, find it really inspiring.
My favorite quote so far comes from fashion designer Giles Deacon on what piece of advice he’ll give to aspiring or current fashion students.
The British designer Gareth Pughs designs are as much artwork as clothes. He is mostly known for his use of inflatable parts to create volume and use of odd materials like electrical charged plastic, latex, pvc, foam footballs, balloons, synthetic and human hair. This design was first featured in his 2003 Central Saint Martin graduate collection.
Pattern info: Photocopy, has marked seam allowance and comes with instruction + fabric recommendation.
Fabric: Scrap pieces of polyester satins.
Notions: Zipper, thread and a large 50 cm balloon.
This is a really simple and fun pattern to make and can be varied endlessly. As a garment it is hard to wear but make a few and try it out, it could work. As an accessory I can come up with loads of possibilities such as children’s parties and for masquerade costumes. As decoration it can be great for weddings or summer parties, just make loads of them.
I live in Northern Sweden so, ”We only sell those during Halloween,” the girl in the shop said when I asked for a large balloon. She asked what I was going to use it for, (probably where looking suspicious) so I had to explain that it was going to serve as filling for a fabric balloon. It must have sounded confusing. Thankfully, there were a few left and I could go on with the project.
Pros: Easy, super fun, decorative project. Never thought I would like this so much.
Cons: No, unless you only make very practical and usable stuff. In that case I would see this project as educational.
One of my favorite YouTubers at the moment is Zoe Hong, love to watch her draw while explaining different subjects relating to fashion design and illustration. She has introduced me to new ways of seeing the design process and since it looked so fun I recently bought her Fashion flats templates to do some playful fashion design sketching of my own. In this example Im using Seamworks Audrey jacket . The task is to change one thing at the time. For me its a challenging since I have a tendency wanting to do everything at once.
I had to wait several weeks before having a chance to see the Margiela the Hermes years exhibition at Artipelag. First I had the cold, then there was more cold, then no car to get there… still, it was definitely worth the wait.
For those of us interested in fashion, this exhibition was a treat. I had an overwhelming temptation to touch the materials, lift and check details. Seeing Margiela’s own design parallel with the design for Hermes was also fascinating. Im more drawn to Margiela’s own more experimental work, but the craftsmanship of the work for Hermes is absolutely fantastic.
The exhibition runs until 10/3 2019, so go there.
There is a Margiela dress pattern to download at Showstudio, link here. Its quite old and from his overzized collections but Im still interested to see what to make of it. Silk maybe, with a harnesk on top… ?